By William Kinderman, Katherine R. Syer
Richard Wagner's Parsifal continues to be an inexhaustible but hugely arguable paintings. This "stage consecration competition play," because the composer defined it, represents the end result of his efforts to carry medieval delusion and smooth tune jointly in a dynamic dating. Wagner's engagement with religion--Buddhist in addition to Christian--reaches a climax the following, as he seeks via inventive potential "to rescue the essence of faith via perceiving its legendary symbols . . . based on their figurative price, permitting us to determine their profound, hidden fact via idealized representation." The participants to this assortment holiday clean floor in exploring the textual content, the track, and the reception background of Parsifal. Wagner's borrowings-and departures-from the medieval resources of the Grail legend, Wolfram's Parzival and Chr?©tien's Perceval, are thought of intimately, and the tensional relation of the paintings to Christianity is probed. New views emerge that endure at the lengthy genesis of the textual content and tune, its affinities to Wagner's previous works, quite Tristan und Isolde, and the proper manner during which the song used to be composed. Essays handle the work's daring, modernistic musical language and its unheard of soundscape concerning hidden choruses and different unseen resources of sound. The turbulent, incredible, and occasionally tense historical past of Parsifal performances from 1882 until eventually 2004 is traced in brilliant aspect for the 1st time, demonstrating the abiding fascination exerted through this uniquely demanding murals. members: Mary A. Cicora, James M. McGlathery, Ulrike Kienzle, Warren Darcy, Roger Allen. William Kinderman and Katherine Syer educate on the college of Illinois at Urbana-Champaign, and infrequently lead examine seminars in the course of the Wagner pageant in Bayreuth, Germany.
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Additional resources for A Companion to Wagner's Parsifal (Studies in German Literature Linguistics and Culture)
49 By then, the first act of Parsifal was complete in Wagner’s drafts. ” prelude and Wagner’s Parsifal is significant, and illuminates not only details of compositional genesis but also features of the expressive meaning and musical symbolism of these works. ” Longfellow presumably explained his idea to Liszt at Rome, and elsewhere he specified his poetic intention as follows: This was no more than to display, in a series of pictures, the life of a man of genius, resisting all temptations, laying aside all fears, heedless of all warnings, and pressing right on to accomplish his purpose.
He enters Arthur’s court once more, but this time, the Grail messenger, Cundrie, arrives and reproaches him for not asking about Anfortas’s ailment, and expels him from courtly society for this. Parzival feels he has been abandoned by God, and resolves to seek and find the Grail. He disappears from the latter part of the romance, for as he seeks the Grail, Gawan has departed from Arthur’s court on new adventures. In these Gawan books, Parzival occasionally appears anonymously. Book 9 tells of Parzival’s religious conversion.
Scholars have determined that the time structure is carefully worked out, as is evident in the characters’ lives and the successions of generations, for instance. Trevrizent points out the significance of the liturgical calendar. Time has cosmic as well as religious dimensions, as it is also determined by the positions and rotations of the planets. In Wolfram’s cosmos, the positions of Mars, Jupiter, and Saturn profoundly influence human lives, and Parzival is full of astrological symbolism that scholars have analyzed extensively.
A Companion to Wagner's Parsifal (Studies in German Literature Linguistics and Culture) by William Kinderman, Katherine R. Syer